771 Jacob's Ladder, 1890-1920, Midwest, 74 x 84. Poison green backing makes this quilt quirky. The fabrics are 1900's shirtings, burgundy, cadet blue with ditzies, checks, polka dots, stripes, beige plaid and white. The quilting is 7 st/in., and it is hand and machine pieced. The binding is back to the top with machine, and is 3/8 in. on the top. The border and the sashing have diamonds in quilting on white. A comfortable and curious quilt. $350.
773c Woven Overshot Coverlet, called Bowknot, c. 1820, 90 x 91, found in Illinois, indigo wool and cotton or linen. There is a seam, but no fringe on any side. The two weft sides have been stabiliized with woven tape. One section, near the top, has two 1/2 in. stripes of weft yarn that are, or have turned, brown. There is geometric sashing between the bowknot patterns and along the bottom edge. There are a few very small holes in the piece, hardly noticeable, and all in all this ancient coverlet is in excellent condition. Probably home-woven. $375.
769 Crazy Quilt, Byron, Illinois, c. 1885, 56 x 56, incomplete. This is one of those crazy quilts that did not have the back lined, so that you can see the foundation. The foundation blocks are almost as interestin as the front, because of the very old fabric pieces. It looks as though sides were cut off the quilt. This has been proenanced and appraised. There are nine large blocks of silks, velvets, and cottons pieced together and embroidered over the seams. A veriety of embroidery stitches and colors follows the small pieces over the quilt. Some pieces have figures embroidered into their centers. There is some stamping. The edges are held together with a running stitch. There is some silk fraying, as is often found in old, crazy quilts, but it is not extensive by any means. This is a good example of the late 19th Century craze to make an extravagant piece for the parlor. $325
761 Mennonite Barn Raising Log Cabin, ca 1920, Illinois, 77 x 83. This was probably made for hanging. It contains a great variety of wool and other fabric combinations, and is obviously tufted rather than quilted. The backing is made of scrap flannels. The edges are very slim, but the top and bottom have a wide border, probably to handle the weight of the batting. Beautiful fall colors. $1000
673 "Klostersom" Norwegian embroidered coverlet or wall hanging, 62 X 68, found in LaCrosse, Wisconsin. The following information is from Laurann Gilbertson of Vesterheim, The National Norwegian-American Museum: This is one of the stitches used to create hardanger embroidery and is an old method using a needlepoint type base, crossing the wool yarns in a parallel fashion. It was popular at the turn of the 20th century but also was used later in the 1960's and 70's. One's first thought is that it is weaving, but it is not. Laurann believes this piece to be about 1900. Klostersom is often used in churches, hence "kloster", and in fact many bell pulls were made using this method, called "klokkestreng". It is not known if this particular piece was made in Norway and brought to Wisconsin, or perhaps, was made in the Vesterheim area. In any event it is an interesting piece of textile heritage of our Northern states. $800
762 Barn Raising, Streak of Lightning, 1870-1880, from Galva, Illinois, a former Swedish Commune near Bishop Hill, Made of various wool anc other fabric combinations in the black. The colored strips are also of wool, tweeds, and other fabrics of various colors including Turkey red. The strips are about 1/2 inch wide.The centers are of combinations of fabrics, some velvets. The backing is a vibrant woven foliage print reminding one of the tropics. It is pulled around to the front to form the binding. There are a few holes here and there, but in general the quilt is in very good condition. This quilt brings the custom of Sweden to America, and if you look at books of Swedish quilts you will see the similarities. $650.
760 Mennonite Wool Nine Patch, 71 x 96, Could be considered a utility quilt, but very striking.. Location and age unknown. The nine patches vary but are mostly red and black with some black and white herring bone tweed and some mauve light and dark striped twill.. The sashing is composed of the same fabrics but is cut in diagonals. The black squares are wool crepe, and many of the reds are flannel. There is no batting. The backing is black challis and there is a knife edge. The pieces are held together with long running stitches not with tufts. Everything is hand sewn, including the long ribbon on one edge next to the velcro pieces.This is a very unusual quilt, made with a variety of fabrics, but with a strong sense of color and beauty. The border is made of 3x4.5 inch black blocks alternating with 3 x 2 inch red blocks. The quilter used many fabrics to make a startling piece. $550
763 Log Cabin, Barn Raising, 1870-1880, 67x76, Illinois This is a light weight quilt made of plain and textured cottons and plaids. The main attraction is the very bright blue, unusual for that era.. The backing is a solid Turkey red and is actually the foundation to which the strips are attached with red thread.. The binding on two sides is the red brought from the back to the front, while on the other two sides the binding is an attached red binding. The centers are composed of pieces of different fabrics. Of course this is all hand pieced. $625.
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Early 19th Century Quilts
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